No. 5 (2024): Ukrainian Art Discourse

Статті

• PREVENTIVE CONSERVATION OF PHOTOGRAPHIC PRINTS: CURRENT ISSUES IN PROTECTION AND RESERVATION

  Ihor Babii

  8-18

  • PDF (Українська)

• CREATIVE APPROACHES TO FORMATION OF PERSONAL STYLE THROUGH INTERACTION OF FASHIONABLE ELEMENTS OF COSTUME, HAIR DRESS, AND MAKEUP

  Anastasiia Varyvonchyk

  19-30

  • PDF (Українська)

• MOBILE EDITING TOOLS AND TECHNOLOGIES IN AUDIOVISUAL CONTENT CREATION

  Denys Vitkovskyi

  31-45

  • PDF (Українська)

• EVOLUTION OF ADVERTISING INFOGRAPHICS: A HISTORICAL ANALYSIS

  Ruslan Halyshych, Viktor Shtets

  46-52

  • PDF (Українська)

• REINTERPRETATION OF THE TIBETAN VISUAL TRADITION IN OLEXANDER ZHYVOTKOV’S SERIES «TO THE QUESTION OF NEPALI THANKAS»

  Jingyuan Guo, Iryna Teslenko

  53-60

  • PDF (Українська)

• FASHION IMAGE AS A COMMUNICATION SYSTEM: THE GUIDELINES OF UKRAINIAN FASHION DURING THE WAR

  Liudmyla Dykhnych

  61-70

  • PDF (Українська)

• PLACE AND ROLE OF EMANUIL KHRAPKО IN BOOKPLATE SHEVCHENKIANA OF UKRAINE

  Larysa Kupchynska

  71-80

  • PDF (Українська)

• ZOOMORPHIC DESIGN OF METAL SCULPTURE OF THE MODERNIST PERIOD: FORM AND AESTHETICS

  Zepeng Li, Mykhailo Opaliev

  81-93

  • PDF (Українська)

• THERAPEUTIC LANDSCAPES IN THE URBAN ENVIRONMENT DESIGN: DOMESTIC AND FOREIGN EXPERIENCE

  Vita Lototska

  94-100

  • PDF (Українська)

• INTERACTIVE PRACTICES IN ART INSTALLATION DESIGN: STATE OF RESEARCH ON THE TOPIC, DEVELOPMENT TRENDS

  Bin Lu

  101-106

  • PDF (Українська)

• IMAGINARY MODELS OF THE «GARDEN AS PARADISE ON EARTH» IN THE DYNASTIC PAINTING OF CHINA

  Wengang Lyu

  107-114

  • PDF (Українська)

• WESTERN EUROPEAN PORCELAIN OF THE XVIII – XIX CENTURIES. IN THE COLLECTION OF THE MYKOLAIV REGIONAL ART MUSEUM NAMED AFTER V.V. VERESHCHAGIN

  Iryna Nesen

  115-120

  • PDF (Українська)

• PRIVATE COLLECTIONS OF DECORATIVE ART THAT FORMED THE BASIS OF MUSEUMS

  Oleksiy Rogotchenko

  121-127

  • PDF (Українська)

• IMMERSIVE PRESERVATION: UTILIZING VIRTUAL REALITY TO SAFEGUARD CULTURAL HERITAGE

  Volodymyr Ihorovych Snihur

  128-132

  • PDF

• ICONOGRAPHIC PROGRAMS OF MONUMENTAL PAINTINGS BY O.Y. SOKOL IN THE CHURCHES OF KHARKIV AND POLTAVA REGIONS

  Daryna Sokolova, Viacheslav Shulika

  133-144

  • PDF (Українська)

• SEARCH FOR A NEW FORMAL LANGUAGE OF CONTEMPORARY CHINESE SCULPTURE IN THE CONTEXT OF INNOVATION OF MATERIALS AND TECHNIQUES

  Volodymyr Tarasov, Yanbo Sun

  145-152

  • PDF (Українська)

• THE CREATIVITY OF THE ARTIST OF THE BARANIVSKY AND KOROSTEN PLANTS VARTAN NARIKIAN ACCORDING TO ARCHIVE SOURCES

  Olha Shkolna, Andrii Kotlyarchuk

  153-163

  • PDF (Українська)

• SYNTHESIS OF NATIONAL AND EUROPEAN DESIGN IN THE “PAPPA DE JANOSHI PROJECT” OF THE FIELD UNIFORM OF THE GALITIC ARMY

  Tetiana Yurova

  164-171

  • PDF (Українська)